Having experimented recently with painting from mud, soils and ash, I wanted to try making marks which involved walking, and I came up with the idea of attaching paper to the soles of my shoes, hoping that it would capture some traces and impressions of my walk.
I used an old pair of sandals with thick soles, and found a pack of Khadi paper, and set about fixing it to the shoes using drawing pins.
It seemed like perfect weather to try this, wet and rainy, so there would be plenty of mud I reckoned. I drove to Birnam, and headed up the Inchewan path, one of my favourite places to walk.
I took a few photos of the rain on the delicate foliage on the way up…
The wall on the way up the path is like a mossy carpet…in fact the whole walk is probably the mossiest I have every been on.
Delicate young ferns covered in raindrops
Small plants growing on the mossy wall
A really wet, lush, green environment…with the sound of a fast flowing stream and lots of very fresh air…just beautiful
I walked up the path until I reached a decent patch of mud, and proceeded to swap my crocs for the paper-soled sandals, which I wore to squelch through very wet mud.
My first attempt was a bit over zealous…I completely ruined the paper, tearing a big hole into it, and realised that I had walked too far for the paper to survive. My next attempt was a bit better, the paper had a slight rip in it, but was still useable. Some of the mud that I stepped in was so wet that the prints showed very little colour, although the patterns on the soles of my sandal created a nice embossing on the paper. I also tried walking over moss a few times, but it barely showed, instead I seemed to gather fragments of leaves and bark.
A few walkers passed me on route, stopping to watch what I was doing. I felt like I was doing a performance, and realised that I should have “killed two birds with one stone”.
Further up the path, there was slate from the nearby hill which had slid down and was lying in piles in reddish looking puddles. The soil here seemed different, in colour certainly, and this might have something to do with the minerals I am guessing. The soil here printed a very different colour, a light red/brown, and I felt excited about the contrast that this would give against the previous prints.
A strong result…and a much lighter, redder soil
I also walked down toward the stream, where the terrain was gravel and sand, and this also gave a similar red/brown colour.
As I changed the papers on my shoes, the removed papers were left at the side of the path, to be collected on my way down. I met a few walkers on the way, and told them that the papers weren’t litter, just incase they felt it their duty to remove them.
I made my way down the hill, and luckily all of the prints were still where I left them. On my walk back to the car, I came across some fallen tree trunks, and noticed the same black, wiry fibres I had seen growing inside a piece of bark a few months ago. I stopped to peel a few from the trunk, sure that I might be able to use them for something interesting.
Interesting string-like fibres attached to the fallen bark of a tree…what I now know to be rhizomorphs of Armillaria, a type of fungus.
I’m already seeing mapping possibilities in this amazing natural fibre…
I headed home to dry them (and myself) off, apprehensive to see the results of my walking/prints.
Once back in the studio, I used the hairdryer to dry the papers, and also removed some of the larger chunks of soil which has been stuck next to the drawing pins.
Some of the marks are really quite beautiful, although they are a bit paler since they have dried. I am still considering how best to use these, although I have a feeling that they will end up as a book.
I’m also keen to try a few experiments with the Armillaria, and am especially excited by the fact that it might have bioluminescent qualities!
I collected some small peebles from the river’s edge in a bucket, and took them home to clean them. 
Gold mesh sequinned and beaded pumps from Russell & Bromley
Antidotal Recall 